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    click book
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      My
    Friend the Bear 
     
    Down in the bone myth of the cellar 
    of this farmhouse, behind the empty fruit jars 
    the whole wall swings open to the room 
    where I keep the bear.  There's a tunnel 
    to the outside of the far wall that emerges 
    in the lilac grove in the backyard 
    but she rarely uses it, knowing there's no room 
    around her for a freewheeling bear. 
    She's not a dainty eater so once a day 
    I shovel shit while she lopes in playful circles. 
    Privately she likes religionfrom the bedroom 
    I hear her incantatory moans and howls 
    below meand April 23rd, when I open 
    the car trunk and whistle at midnight 
    and she shoots up the tunnel, almost airborne 
    when she meets the night.  We head north 
    and her growls are less friendly as she scents 
    the forest-above-the-road smell.  I release 
    her where I found her as an orphan three 
    years ago, bawling against the dead carcass 
    of her mother.  I let her go at the head 
    of the gully leading down to the swamp, 
    jumping free of her snarls and roars. 
    But each October 9th, one day before bear season 
    she reappears at the cabin frightening 
    the bird dogs.  We embrace ear to ear, 
    her huge head on my shoulder, 
    her breathing like a god's. 
      
    Bear 
    Bear died standing up, 
    paws on log, 
    howling.  Shot 
    right through the heart. 
    The hunter only wanted the head, 
    the hide.  I ate her 
    so she wouldn't go to waste, 
    dumped naked in a dump, 
    skinless, looking like ourselves 
    if we had been flayed, 
    red as death. 
    Now there are bear dreams 
    again for the bear-eater: O god, 
    the bears have come down the hill, 
    bears from everywhere on earth, 
    all colors, sizes, filtering 
    out of the woods behind the cabin. 
    A half-mile up 
    I plummeted toward the river to die, 
    pushed there.  Then pinions creaked; 
    I flew downstream until I clutched 
    a white pine, the mind stepping back 
    to see half-bird, half-bear, 
    waking in the tree to wet 
    fur and feathers. 
    Hotei and bear 
    sitting side by side, 
    disappear into each other. 
    Who is to say 
    which of us is one? 
    We loaded the thousand-pound logs 
    by hand, the truck swaying. 
    Paused to caress my friend and helper, 
    the bear beside me, eye to eye, 
    breath breathing breath. 
    And now tonight, a big blue 
    November moon.  Startled to find myself 
    wandering the edge of a foggy 
    tamarack marsh, scenting the cold 
    wet air, delicious in the moonglow. 
    Scratched against swart hemlock, 
    an itch to give it all up, shuffling 
    empty-bellied toward home, the yellow 
    square of cabin light between trees, 
    the human shape of yellow light, 
    to turn around, 
    to give up again this human shape. 
      
      
     
    JIM HARRISON
    is the author of twenty books, numerous screenplays, and served for several years as the
    food columnist for Esquire magazine.  His work has been translated into
    twenty-two languages and produced as four feature-length film.  As a young poet he
    co-edited Sumac magazine and earned a National Endowment of the Arts grant and
    Guggenheim Fellowship.  Mr. Harrison divides his time between northern Michigan and
    southern Arizona. 
    "My Friend the Bear" and "Bear" were
    taken from Jim Harrison's latest collection of poems: The Shape of the Journey
    (Copper Canyon Press, 2000) 
    ForPoetry  |